Overview. The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes.
Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas – recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation ‘Kurzstrecke’ finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. ‘Ertrinken’ finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on ‘Growth Cycle’ and ‘Be’, entrenching a celebratory atmosphere over Function’s clubwise leanings. Closing track ‘Downtown 161’ reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals – a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP/2CD – thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates – A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.
\”For this month\’s Excentric Muzik Session, Fergie presents four world-exclusive guest mixes showcasing the sounds of the DJs and producers that have been rocking his world on a regular basis; RESET ROBOT, ARJUN VAGALE, MATADOR and MR HENRY VON. Look out for Arjun\’s tracks \”Drohnen\” and \”Tin Kan\” which are both out now on the Excentric Muzik label and as always don\’t forget to hit up Ferg on his Facebook or Twitter and let him know what you thought of the show…\”
Biography of Fergie:
Tittle: Excentric Muzik Session 009
Rls date: 19-10-2011
Gerne: Minimal Techno
01. Reset Robot – Snippa
02. Reset Robot – Tresoli
03. Reset Robot – Jomo
04. Ramon Tapia & Secret Cinema – Pass The Dutchie (Reset Robot Remix)
05. Reset Robot – Go Back
06. Reset Robot – Bangdrum
07. Arjun Vagale – Almost Home
08. The Junkies – Baby Please
10. Anil Chawla – Silver Digger
11. Intu:Tive – Perfect Chaos (Arjun Vagale Remix)
12. Sam Ball – Litmus
12. Massimo Girardi – Alyssia
13. Arjun Vagale – Drohnen
14. Matador – Klay
15. Matador – Topkat
16. Matador – Kenekt
17. Matador – Spook
18. A Balter – Art Off 2011 (Matador Remix)
19. Bryan Zentz – D-Clash (Matador Remix)
20. Arjun Vagale – Tin Kan
21. The Units – One Man (Chris Carrier Dub Rework)
22. Mr Henry Von – Bcn (Unreleased Version)
23. Todd Terje – Ragysh
24. Sis – Tamala
25. The Rolling Stones Vs Mr Henry Von – Sympathy For The Devil
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