Numbers reveals the debut album from London-based composer and producer Josh Thompson aka FFT. The 9-track LP titled ‘Clear‘ is due out on Vinyl & all digital formats on June 24th, 2022.
‘Clear’ is deeply psychedelic, defined by a mature sense of melody and structures crafted at a monumental scale. The album can be seen as a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio. Very recommendable. Pre order Vinyl: Bandcamp
The album was announced with a video for the first single ’Redeemer’, watch it below.
Josh Thompson aka FFT has released on influential labels, including The Trilogy Tapes, Low End Activist’s Bruk Records, his own Super Hexagon imprint (also a party series) and more. Previously based in Bristol, a city which inspired his sonic output, his productions range from low-slung industrial electro cuts leaning heavily on analogue sounds reminiscent of experimental Italian avant-garde, to glassy breakbeat science and dub-loaded atmospherics.
Numbers will release ‘Clear’, the debut album by FFT, on 24th June 2022. The result of three years of focused writing and programming by the London-based producer, ‘Clear’ is deeply psychedelic, defined by a mature sense of melody and structures crafted at a monumental scale.
Though FFT has previously released a handful of tracks under various names, it wasn’t until 2017’s ‘FFT1’ EP on the Uncertainty Principle label that his production talents began to fuse into a distinct and personal style, especially evident in FFT’s ‘Regional/Loss’ EP on The Trilogy Tapes in 2019, multiple releases on Bruk Records and 2021’s ‘Disturb Roqe,’ also released on Numbers. Through it all, FFT has mastered a complex sense of mood catalyzed by sound itself: He builds patches and presets from scratch, and feels these synths and software have their own objectives and reactions, creating a kind of compositional feedback loop. The result is an album that brings to mind a collision of electronic pioneers like Delia Derbyshire and Bernard Parmegiani, 2000’s braindance, the Max-imized wares of an OPN or Objekt and the rough rhythmatics of SND or Mika Vainio.
The layering of sonic elements and intentions is starkly audible across these nine tracks. They can be seismically concussive and grandiose, but granular and fluid – echoing the Icelandic volcanic eruption that features in the artwork photography by George Cowan. ‘Clear (Eight-Circuit Mix)’ sets a euphoric tone immediately accelerated by the jagged sounds and vocal textures of ‘Redeemer’. ‘3 Sided’ channels hyper-urbanity from its almost entirely analogue palette, and by contrast ‘Disturb Roqe 2’ is bracingly digital, gyrating in random cycles between clustered percussion, metallic splinters of audio and artificial vocal tics.
Opening side two, ‘You’ve Changed’ adheres to a more abrasive core, while ‘Heal’ and ‘Heal (Alt Mix)’ evolved out of linked pieces in FFT’s live sets that grew into complete tracks in the months before Covid-19. The significant intensity of ‘Heal’ in particular was refined during strobe-heavy live performances and is the album at its most turbulent, the claustrophobia interrupted by dazzling arpeggios.
The overall impact of ‘Clear’ is cinematic and precise, marking the arrival of an impressive electronic musician who is not new but has come into his own as a fully developed artist.
Format: LP / Digital
Cat. No: NMBRS68
Release Date: 24 June 2022
- Clear (Eight-Circuit Mix)
- 3 Sided
- Disturb Roqe 2
- You’ve Changed
- Heal (Alt Mix)
- Ashley Hill
Written, produced, and mixed by FFT
Photography by George Cowan • Design by Sensory Works
Mastered by Lewis Hopkin at Stardelta
Artist Photography by Beth Sheldrick
Cat. No. NMBRS68 – All rights reserved
℗ & © Numbers. 2022